66. The Governess Game by Tessa Dare (eARC, 8/28) Dare delights! Witty wordplay, challenging charges & resistant romantics. Deftly portrays the pains of racism, abandonment, guilt, grief & PTSD while finding sweet & rich HEAs for her MCs. 💞💫 #bkbrk https://t.co/ykmJghSs3J— Ana Coqui (@anacoqui) July 29, 2018
I find Tessa Dare's writing delightful and reading them like being in the fluffiest and warmest of bubble baths, but underneath the fluff she is doing really some serious work piercing the Regency Romance bubble with decidedly un-fluffly topics, such as racism and abandonment.
In the Governess Game, outside of a few dear friends, Alexandra Mountbatten is totally alone in the world. Her Philippine Mestiza mother died when she was a young child and her beloved father went down with his ship in a storm. She makes her living as professional timekeeper, winding and setting the clocks of wealthy patrons. She arrives at the home of Mr. Chase Reynaud to offer her services only to be mistaken for an applicant for the perpetually vacant post of governess to his two young wards. He doesn't care who she is and doesn't remember the time they briefly met the year before, but he is desperate to keep her.
"I don't care if you're gently bred, roughly bred or a loaf of brown bread with butter. You're educated, you understand propriety, and you're . . . breathing." -- Chase Reynaud in Tessa Dare's The Governess Game
But his charm offensive and extremely lucrative offer are not enough to sway her.
"And then she did what Chase yearned to do, often. She flung open the door, fled the house and didn't once look back." -- Tessa Dare's The Governess Game
But an accident and lost chronometer not much later has Alexandra re-evaluating the merits of his offer and ends up changing all their lives.
If the governess trope is not one of your favorites, I usually avoid it, know that early on Dare makes it clear that Alexandra has other options for shelter and job opportunities, so the power imbalance of employer and employee is minimized but it does not go unacknowledged as it does in too many stories.
Dare layers banter, word-play (I lost track of how many alliterative names they came up with for Chase's hideout, but I cackled at each one) and surreal situations (such as Millicent's daily deaths and funerals) into a confection that serves to highlight the moments of piercing emotional realism. When Alexandra wakes shaking after nightmares flashing back her days adrift alone in a dinghy or when Chase is confronted by his guilt over his cousin's death and his feelings of inadequacy as a father-figure and future duke, those moments sear.
I loved how Dare deconstructs the familial relationships in this book, unacknowledged brothers, wards of uncertain parentage & estranged relatives and how Chase, Alexandra, Rosamund & Daisy find a way to reassemble themselves into a new family. As much as Chase, Daisy and Rosamund consider themselves lost causes, unlovable or unworthy of loving, Alexandra refuses to give up on them.
Dare's style is not for everyone (don't come here looking for detailed depictions of wallpaper) but this series are dollops of delight. I love that heroines are unbowed by their past pain, but not emotionless "strong-female heroine", they hurt, they struggle but they are determined to build lives for themselves. At points I wanted to shake Chase out of his wallowing in guilt and self-reproach but I adored the scene when Ash ( the hero of the Duchess Deal) bursts in on Chase and Alexandra determined to save her from Chase.
"I came as soon as I hear you'd taken up residence in this place." He walked past her to stare down Chase face-to-face. "You deserve to know what a worthless scoundrel he is, Alex"
"Yes!" Chase exclaimed. He reached for Ashbury's hand and pumped it in a vigorous greeting. "Thank you. I've been trying to tell her myself, but she won't listen."
But Alexandra has listened, and seen. I love that love isn't blind. Alexandra sees his guilt, his past bad actions, and still sees he is more than that. But their journey as a couple takes them through many ups and downs of dashed hopes before Chase gets his act together. There is a good grovel and reconciliation at the end, with little touches, that made it far from generic, but very grounded in the specifics of their narrative.
I received a ARC from the publisher for review consideration via Edelweiss.